March 24th, 2009
Jean Lurçat (1892-1966), who directed his energy into promoting tapestry, was not a weaver at all, but a French painter.
In the late 1950s he became interested in tapestry after visiting the fourteenth-century “Apocalypse” set in the castle at Angers, which was woven by Nicolas Bataille between 1375-79. Lurçat was immensely impressed by the skill and creativity of this tapestry.
Following his visit he became deeply involved in tapestry design and manufacture, his intention being to return to the style and technique of weaving that had existed before Raphael.
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March 19th, 2009
This is the technique used most frequently for the flat-woven rugs and hangings called “kilims”. This technique is also used for pictorial tapestries, and other articles.
The fabrics are usually weft-faced, meaning that the warp is covered completely; the surface is ribbed in a vertical direction. Warp yarn are those that are affixed to the loom; weft yarns are those that are interlaced with the warp.
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March 17th, 2009
Natural dyes from plants were the only dyes used until the 19th century; they produce attractive shades and, have good fastness characteristics and to light, if properly cared for.
These dyes, made from plants or other natural materials, were in use before 1850, in some cases, some natural dyes go back over 500 years.
Some examples of plants used for natural dying are Madder, Cochineal, Logwood and Brazilwood for pinks, reds, oranges and purples. Weld and Fustic chips for yellows and Oak bark, Onion skins, Cutch for browns and Oak Galls and Walnut for grays and black.
Ulrika Leander ensures that each of her tapestries is a unique creation using the highest quality natural fibers.
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March 12th, 2009
Tapestries were ubiquitous in the castles and churches of the late medieval and Renaissance eras. At a practical level, they provided a form of insulation and decoration that could be easily transported. In addition, the process of tapestry weaving, where every stitch is placed by hand, enabled the creation of complex images on an enormous scale.
Many medieval tapestries measure as much as 5 x 10 yards and sets could include ten or more pieces. While much production was relatively coarse, intended for decorative purposes, wealthy patrons could commission designs whose subject embodied celebratory or propagandistic themes. Enriched with silk and gilt metallic threads, such tapestries were a central component of the ostentatious magnificence used by powerful secular and religious rulers to broadcast their wealth and might.
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March 10th, 2009
Swedish
Ceramic sculptures
Educated in ceramic art and sculpture at the famous art school, Capellagården, located on the island of Öland in the Baltic Sea, Ms. Österlind had her big break-through about eight years ago at her very first exhibit in 2001 when she gained instant recognition for her sculptured women and ravens. Her sculptured women are luxuriant and radiate warmth and confidence. The forms are simple and elegant and serenade the joy of life; a woman lifting a small child up in the air, a woman reading a book, a woman sitting on the window sill kicking her legs or a woman just throwing her arms up in the air to express her happiness. The ravens express the typical curiosity of the species and they are executed in the same fashion as the women, round in form, expressing tremendous humor and yet so well thought through in the design process; each sculpture has its own personality.
Visit the Artist’s website at www.ateljeannika.se. Read about the other artists involved in this summer’s show, Absolut Art, at the Gallery by the River.
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March 5th, 2009
German
Textile appliqué
Ms. van Wynsberghe’s artistic education started at the Staedelschule in Frankfurt/M, Germany where she studied painting under Professor Ferdinand Lammeyer. Her great interest in languages led to the combination of text and images. Words are an integral part of the design but they are applied with a quizzical humor that raises prickly questions in the viewer’s mind and give her work its unsettling undercurrent.
As her work matured, Ms. van Wynsberghe was invited to teach her appliqué techniques at the Ecole des Beaux Arts in Antwerp, Belgium and in 1973 she had the opportunity to move to Divonne-les-Bains near Geneva. For the next 15 years, she was able to focus entirely on her textile work supported by a Swiss TV program and numerous exhibitions in France and Switzerland. It was during this period, because of the international nature of the community around Geneva, that a world-wide interest in her textile pictures began to develop.
Over the years, Ms. van Wynsberghe has had 15 one-woman shows in Sweden, Switzerland and France and participated in many group shows.
Visit the Artist’s website at www.stines.se. Read about the other artists involved in this summer’s show, Absolut Art, at the Gallery by the River.
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March 3rd, 2009
Swedish
Knitted sculptures and wall-hangings
With a degree in fashion design, Ms. Rosengren started out designing and making knitted garments in wool and linen. Later on her craft of knitted textile art took a dramatic turn as she began to explore textile pictures and knitted sculptures and wall-hangings. As with her garments, Ms. Rosengren incorporates traditional imagery from old weavings of Southern Sweden with her own contemporary designs. The dramatic tension between the old and the new and the sharp colors against a solid background, brings tremendous life to her vessels and wall-hangings. Ms. Rosengren has exhibited in many galleries in Sweden and abroad; this will be her second exhibit in the US.
Visit the Artist’s website at www.kerstinrosengren.se. Read about the other artists involved in this summer’s show, Absolut Art, at the Gallery by the River.
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February 26th, 2009
Swedish
Textile wall-hangings
All of Ms. Norström’s imagery is taken from the landscape she sees around her studio in Southern Sweden; open fields with wind-whipped willow trees, or a quiet grove of bare tree-trunks, illuminated by the northern light. Working within a palette of muted colors and tones, Ms. Norström makes extensive use of mixed yarns and cut-up strips of fabric that are woven-in or applied when the weaving is off the loom. Ms. Norström has had several one-woman shows and she has been part of group exhibits in Stockholm and numerous galleries in the southern part of the country.
Visit the Artist’s website at web.comhem.se/dittevavare. Read about the other artists involved in this summer’s show, Absolut Art, at the Gallery by the River.
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February 24th, 2009
Swedish
Scrimshaw and enamel
Ms. Lancing utilizes a technique for etching images on the surface of goose eggs. Often using old sailing ships as her subject matter, she produces images of astonishing clarity and beauty. Ms. Lancing is also a highly accomplished enamel artist and here her inspiration springs from the daily life of the fishermen as she sees them with their boats and nets right outside her studio window. Ms. Lancing’s work is represented in most cultural and maritime museums in Sweden and Denmark and she has also exhibited in Greece, Denmark, Finland and England.
Visit the Artists’ website at www.marialancing.se. Read about the other artists involved in this summer’s show, Absolut Art, at the Gallery by the River.
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February 19th, 2009
Swedish
Silver
Over the years Mr. Johansson has participated in more than 50 exhibits around the world and he has received The State of Sweden Art Scholarship twice and several international honorable mentions. Mr. Johansson’s work is represented at the National Gallery in Stockholm, and at the Röhsska Design Museum in Gothenburg. His work can also be found in the silver collections of King Gustav Vl and King Carl Gustav XVl of Sweden. Besides making jewelry and utilitarian objects, such as small serving bowls and decorative plates he also produces pieces for liturgical settings.
Visit the Artist’s website at www.silversmed.nu (Swedish only)
Read about the other artists involved in this summer’s show, Absolut Art, at the Gallery by the River.
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